“It is now floating in my head”: the films of Apichatpong Weerasethakul
brunomacaes.substack.com
The New Yorker has a new essay on the metaphysics of Apichatpong Weerasethakul. The essay does not deal with metaphysics at all, being a lot more interested in biography and cultural politics, but in a way that is proper and unsurprising, since there is no metaphysics in Weerasethakul. If you want a philosophical term to ease your way into movies like Uncle Boonmee Who Can Recall His Past Lives or Cemetery of Splendour, his approach is phenomenological.
“It is now floating in my head”: the films of Apichatpong Weerasethakul
“It is now floating in my head”: the films of…
“It is now floating in my head”: the films of Apichatpong Weerasethakul
The New Yorker has a new essay on the metaphysics of Apichatpong Weerasethakul. The essay does not deal with metaphysics at all, being a lot more interested in biography and cultural politics, but in a way that is proper and unsurprising, since there is no metaphysics in Weerasethakul. If you want a philosophical term to ease your way into movies like Uncle Boonmee Who Can Recall His Past Lives or Cemetery of Splendour, his approach is phenomenological.